I neglected to mention hearing Les Violons du Roy & La
Chapelle de Québec chorus do Handel’s Messiah. It really is a baroque opera of
the whole of Christianity: prophecy, nativity, passion, ressurection, all the way up to last
judgement.
David Daniels warbled the high-high-high up parts, Joshua
Hopkins thundered the bass-baratone parts, and Rosemary Joshua dramatized parts in between.
I could listen to Handel year round.
The supertitle people provided some choice typos, the most appropriate being “and the tongue of the dub shall sing.”